Art&Culture

Contemporary art, Music, Creative and Critic writings…

David Tibet / Current 93

Sometimes words can drive into a submerged Sistine Chapel: the light reflections under the water reveal an unseen facet of the Judgement with a more vivid and altered perspective. David Tibet leads us to the other shore. An interview by Marco Giuliano.

Daniel Turner / Man is a God in ruins

The following essay is not an attempt to define my own version of the sublime, but rather apply other writers’ postulations on the subject to the artwork of Daniel Adam Turner. Man is a god in ruins, words by James Michael Schaeffer.

Last year in Marienbad

Between these walls covered with woodwork, stucco, moldings, pictures, framed prints, among which I was walking - among which I was already waiting for you, very far away from this setting where I now stand, in front of you, still waiting for the man who will no longer come, who no longer threatens to come to separate us again, to tear you away from me. Are you coming? A film by Alain Resnais, articulated in a note by Marco Giuliano.

Ceremony

Death is centrifugal. Solar and logical. Decadent and symmetrical. Angels are mathematical. Angels are bestial. Man is the animal. Ceremony. The soundtrack of the Sacred issue selected by Mushy.

art&culture | content

Self-aware images / Screens by Fabio Mauri

His monochrome canvases simulate the display of the filmic images; they do not materialize an image, but do prepare the frame in order to contain it, opening the door of our visual perception, intended as a topos of all the possible representations. A piece on Fabio Mauri's Screens written by Larisa Oancea.

Notes to youth and riots

Punk In Britain: Simon Barker (Six) // Karen Knorr And Olivier Richon // Dennis Morris // Jamie Reid // Sheila Rock // Ray Stevenson // John Tiberi on show in Milan until the 28th of August, 2016 at Galleria Carla Sozzani. Words by Anca Macavei, photo by Bianca Sara Scanderebech.

Helmut Lang’s abstract mythologies

Scratching the surface and striking your soul, Helmut Lang's first institutional solo exhibition in the US on view at Dallas Contemporary until 21 August, 2016. Words by Anca Macavei.

Duskmann

In the company of the Duskmann Group, we delve into the movement's philosophy and the artistic background which led to the creation of the installation “Prelude”.

Anselm Kiefer / The Seven Heavenly Palaces

Just like the intricate labyrinth described by Borges in The Garden of Forking Paths, "in which all men would lose their way", in Kiefer's art there is always a narrative trap intentionally left, that could lead to a cul-de-sac or could open the path to all the possible meanings. Words by Larisa Oancea.

Chiharu Shiota

Objects are not just objects sometimes. The poetic of common challenges the audience. You can be surprised, you can get emotional, angry, astonished, just looking at a filled room, without knowing why. Often the meaning of it is a visual mystery. Interview by Sara Dal Zotto.

Daniel Turner / Man is a God in ruins

The following essay is not an attempt to define my own version of the sublime, but rather apply other writers’ postulations on the subject to the artwork of Daniel Adam Turner. Man is a god in ruins, words by James Michael Schaeffer.

David Tibet / Current 93

Sometimes words can drive into a submerged Sistine Chapel: the light reflections under the water reveal an unseen facet of the Judgement with a more vivid and altered perspective. David Tibet leads us to the other shore. An interview by Marco Giuliano.

Nowhere Festival

Elsewhere is always a nice place to be and we were all into a disturbance. Video report from the Nowhere Festival, Rome.

The black side of Chelsea Wolfe

Sometimes words can drive into a submerged Sistine Chapel: the light reflections under the water reveal an unseen facet of the Judgement with a more vivid and altered perspective. David Tibet leads us to the other shore. An interview by Marco Giuliano.

Look twice, impress me! / Peter Gronquist

Objects are not just objects sometimes. The poetic of common challenges the audience. You can be surprised, you can get emotional, angry, astonished, just looking at a filled room, without knowing why. Often the meaning of it is a visual mystery. Interview by Sara Dal Zotto.

Last year in Marienbad

Between these walls covered with woodwork, stucco, moldings, pictures, framed prints, among which I was walking - among which I was already waiting for you, very far away from this setting where I now stand, in front of you, still waiting for the man who will no longer come, who no longer threatens to come to separate us again, to tear you away from me. Are you coming? A film by Alain Resnais, articulated in a note by Marco Giuliano.
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