High Off The Glass” is a new industrial track from Jesse Draxler and TRACE AMOUNT, released via Federal Prisoner. Blending sound and visual art, the project continues Draxler’s audio/visual series—with the exclusive premier of the video here on Nasty.

Broken glass. Strobe scars. Bass shaking the bones of an abandoned forest. FJAAK came up on raw instinct—hacked gear, illegal raves, no sleep, no plan B. Before the bookings, before the Boiler Rooms, it was just a basement in Spandau and the thrill of noise with nowhere to go but louder. Now they’re closing Berghain for 11 hours, running a label that’s more like a syndicate, and still building everything by hand. This isn’t a nostalgia act. It’s muscle memory. It’s resistance through rhythm. Spandau20, the Berlin-based collective label rooted in underground rave culture, celebrates its 10th VA with 10 tracks from its co-founders—each one a reflection of the label’s raw, percussive, hardware-driven ethos. To mark the occasion, we sat down with FJAAK for a a deep dive.

Our latest music cover story features Enrico Sangiuliano — a visionary reshaping techno through intention and emotional depth. In a world chasing speed and noise, he turns toward silence, presence, and evolution. From underground raves to concept-driven projects like NINETOZERO and immersive SOLO nights, Sangiuliano crafts sonic journeys that transcend the dancefloor, blending ambient textures, field recordings, and razor-sharp beats into narratives that feel profoundly human.

Ahead of her much-anticipated appearance at Awakenings Upclose 2025, where she’ll share the booth with Georgian artist Yanamaste, she reflects on roots, catharsis, cultural resistance, and that wild, beautiful madness we call music.