Opened on Tuesday, 11 February, Patricia Low Contemporary, in Gstaad, presents the works of two American artists, Barry X Ball and Andres Serrano, in a single exhibition entitled Pious and Profane’.

Opened on Tuesday, 11 February, Patricia Low Contemporary, in Gstaad, presents the works of two American artists, Barry X Ball and Andres Serrano, in a single exhibition entitled Pious and Profane’.
The stark thematic contrast between their works takes on a harmonious dimension in this project, which originated from a journey the two artists undertook to the Vatican, accompanied by 200 other professionals from the field.
Andres Serrano, known for his highly provocative works on religion, has long been the subject of controversy and criticism. However, during this visit, his encounter with Pope Francis had an entirely unexpected outcome: the Pontiff embraced and endorsed the idea that every artist has the duty to seek harmony and beauty, even when this entails confronting complex themes and controversial perspectives, ultimately, a journey that, in its own way, may lead closer to God.
Serrano employs a unique approach to representing beauty, crafting a visual and conceptual aesthetic that draws from the sublime, using unconventional materials and techniques—including bodily fluids. This radical artistic approach has defined his career, with one of his most iconic works, ‘Semen and Blood’, created using seminal fluid and bovine blood, becoming the cover of Metallica’s 1997 album.
For the first time, the gallery presents an exclusive collaboration with Serrano, showcasing pieces specifically created and signed for this occasion as ‘Semen and Blood III’.
His method involves extracting elements of ugliness, disturbance, and shock and reinterpreting them into an aesthetic that, in the end, proves captivating. Drawing inspiration from grand and iconic religious imagery, he focuses on striking details, highlighting and emphasising them through a precise modulation of colours and shades. This process generates a particular fascination for these unsettling elements, which, despite their disturbing nature, reveal an intensity and rawness deeply intertwined with religious sentiment.
Barry X Ball, on the other hand, embodies an entirely different approach..
While maintaining a non-conventional vision, he reinterprets and reworks the concept of figurative art. Skilled in the use of various techniques, he creates works through virtual modelling, computer-controlled milling, and 3D printing, as well as through casting, carving, and meticulous hand polishing. Additionally, he employs rare and precious stones sourced from around the world, further enhancing the uniqueness and refinement of his sculptures. He thus stands out as both a master craftsman of traditional techniques and a cutting-edge innovator. His works represent, in themselves, a harmonious contrast: a tribute to history and tradition, yet with a completely modern and unprecedented aesthetic and approach.
Driven by a profound religious curiosity, he positions himself as a seeker of faith, transforming his art into an exploration of sanctity and purity. What makes his sculptures unique is their departure from direct and clearly identifiable religious representations. Instead, his focus is on the human form, its lines, and silhouettes. The result is a degraded purity: Barry X Ball deliberately preserves the natural imperfections of the sculpting process, stripping his works of explicitly recognisable religious elements. This gives rise to sculptures that radiate a strong spiritual aura, yet possess an enigmatic and mysterious quality.
The juxtaposition of these two artists in a single exhibition creates a compelling dialogue in which the contrast between sacred and profane, between devout exploration and the sublime representation of the grotesque, finds its own unique harmony.
Within the gallery space, the observer is drawn into a dynamic interplay of emotions, embarking on a heterogeneous yet deeply interconnected journey, where high and low, aesthetics and provocation, the sacred and the profane engage in an unexpected equilibrium.
Credits:
Artist: Barry X Ball / @barryxballstudio
Adres Serrano / #Andres Serrano
Venue: Patricia Low Contemporary / @patricialowcontemporary
Words: Annalisa Fabbrucci / @annalisa_fabbrucci
Editor: Maria Abramenko / @mariabramenko