Let’s say this first, this year WGT has been a complete blast.
One of the best line-up of the last years, intense performances+parties, combined with the usual huge black crowd made this edition of the biggest dark festival a very special one.
“Am I perverse just because I’m going for other things
And see the world with other eyes?
The whole country’s sinking into lethargy
There is no space for ideology anymore
It’s the frustration of a generation
Don’t feel like just keeping silent
Because sometimes I just want to scream.”
The opening is dedicated to Agonoize, one of the most iconic examples of intransigence and perseverance. Straight to their obscure path for over 15 years, refusing to switch to a more “trendy” proposal, like many others of the extreme electronic scene did. So why are we appreciating their radicalism? Because it symbolizes the resistance of the post-punk/goth -and for an extent of all the “alternative“- countercultures in our difficult times of threat to everyone’s personal freedom of expression and profound artistic flattening.
Regardless of the musical tastes, big events like WGT exude authenticity by being a true relief and a landmark for aggregation and acceptance of the diversities, an illuminated case of tolerance and co-existence of the most varied individualities that should be way more integrated in our daily (so called) democratic societies.
As we said, WGT this year had a great line-up, counting bands from a very wide range of genres, from post-punk, to electro and EBM, to neo/folk, also including some valid extreme metal acts. The more-than-200 bands of festival play at multiple venues all around Leipzig, with the main stage located at Agra Park -just outside the city center- where headliners and special shows take place, giving you that bittersweet possibility to choose which of your favorite bands you will decide to follow. Already on the first day we had to choose between the hard beats of Alien Vampires and X-RX, the highly anticipated headliners White Lies and the melancholic ballads of King Dude, performing a full band show. While heading to Agra to attend the White Lies, the Faith forced Spotify to play the terrific combo Velvet rope and I wanna die at 69 from our WGT playlist and then suddenly the plans changed: stop at the imposing dome hall of the Volkspalast without remorses for a really energetic yet emotive show by King Dude and his band with all the classics repertoire that sounded in great shape with the arrangements for two guitars, bass and drums. (we’ll also find him DJing at a fetish party after the concert, but maybe we’ll talk later about this…)
No doubts at all for Saturday when Mr. Douglas McCarthy will be performing at Agra. Nitzer Ebb during the years slightly changed the approach to their live shows, favoring a more introspective setlist and instrumentation, and even if we admit that we was kinda expecting some more hammering hits, it was impossible to not be captured by the pathos of the proposed versions of Come Alive and Control I’m here.
Sunday was the most critical day of the festival in terms of choices, if your musical tastes vary from gothic rock to harsh-noise. London after midnight, Solar fake, Winterkalte and The soft moon. That would have been the perfect scenario to acquire the gift of ubiquity… But in the end we promised ourselves that we will be screaming Sacrifice along with Sean Brennan till the day we die, so here we go at Agra for the headliners London after midnight, where we were able to take some of our favorite on-stage pictures of the festival.
At the closing day also the weather seems sad that WGT is going to finish. Under a violent storm, but safe inside the hangar of Agra, came about the last and one of the most intense performance of the festival: Agonoize. Preceeded by two very nice surprises Patenbrigade:Wolff -this Berlin-based band sounds very good live and has a unique light/ironic touch that makes their show even more interesting- and Velvet Acid Christ that proposed a very convincing accelerated-BPM tracklist, preparing the ground for the final bloodshed (literally) of Agonoize, harsh electro apotheosis ascending straight out the gates of hell.
The core of WGT is the music of course, but, as the German word “Treffen” suggests, it’s nonetheless a meeting. Many people book their hotels and tickets from one year to the other without waiting for the bands confirmations because the possibility to share this great experience with like-minded individuals from all over the world is one of the main added values to the festival. WGT is also well-known for the many parties that can entertain your nights throughout the festival. Each scene has its own: post-punk or EBM of course, but also fetish, ethereal/neo-folk, deathrock etc., that can really suit any shade of darkness. The music changes but every party shares the same positive and inclusive vibe. Two special mentions go to the Obsession Bizarr fetish party on Saturday, a visual treat of utmost fashion (for those who go to show their most venturous outfits) and tempting debauchery (for the hedonists and dungeon players), and, as the festival reminisces, to the Closing party on Monday at Moritzbastei. The best way to say goodbye to the WGT and to all your friends, dancing away all the magic until the first lights of the morning, in one of the most beautiful venues in Europe.
A dream like atmosphere with so many layers of meaning, a place of freedom and unconventionality where time lacks of linear temporality. I’m pretty sure that the crescendo started with the current edition will lead to a magnificent 29th edition next year, then preparing for the big celebration of the 3 decades anniversary in 2021. The dates are already out, see you next year!
NEXT Wave-Gotik-Treffen: 29th May / 1st June 2020
Saints and sinners / WGT2019
Credits
Report by:
Marco Giuliano / @marcogiulianoph
Anca Macavei / @ancamacavei
Official website: www.wave-gotik-treffen.de
Special thanks to Wave-Gotik-Treffen press staff.