Spirito Sangue by Lorenzo Montinaro is an excavation of death, memory, and time. Set in Taranto, a city haunted by industrial decay and environmental collapse, the exhibition explores mortality not as an end, but as a condition of existence. Through fragments of marble, erased inscriptions and relics soaked in caducity, Montinaro constructs fragile monuments that resist disappearance, dwelling in erosion, yet standing against oblivion.

In this interview, the artist explores the power of digital identity in art and the avatar as a form of extended self-portraiture. Her work unfolds as a near-divine act of creation, giving life to other beings made in her own image within richly immersive virtual worlds.

For his third exhibition at Galerie Allen in Paris, American artist Daniel Turner presents Mercury Release, an installation that trades the object for its debris, the sculpture for its sound.

Thierry De Cordier—artist and philosopher—searches, through his seemingly monochrome paintings, for what he calls the “grandeur of nothingness.”