This season in Copenhagen carried a sense of fragility and unfinished edges. Shows unfolded in raw spaces where clothes felt inherited, altered, and marked by time. Softness appeared, but it was heavy and unsettled, closer to rupture than romance. What emerged was a language of memory, intimacy, and quiet unease.

The Whole Festival is about to get Bashful’d — raw, loud, and fully alive. Miss Bashful is set to hit the stage like a summer storm, turning sweat, sound, and lingerie into her own kind of gospel. We caught up with her ahead of the chaos.

Broken glass. Strobe scars. Bass shaking the bones of an abandoned forest. FJAAK came up on raw instinct—hacked gear, illegal raves, no sleep, no plan B. Before the bookings, before the Boiler Rooms, it was just a basement in Spandau and the thrill of noise with nowhere to go but louder. Now they’re closing Berghain for 11 hours, running a label that’s more like a syndicate, and still building everything by hand. This isn’t a nostalgia act. It’s muscle memory. It’s resistance through rhythm. Spandau20, the Berlin-based collective label rooted in underground rave culture, celebrates its 10th VA with 10 tracks from its co-founders—each one a reflection of the label’s raw, percussive, hardware-driven ethos. To mark the occasion, we sat down with FJAAK for a a deep dive.