The liminal zones between collapse and transformation, ritual and noise, beauty and decay. Whether through meditative erosions, or glitch-drenched liturgies, the music featured in this edition is united by its commitment to disobedience, its resistance to order, and its ability to turn rupture into revelation. In this edition: Ulver, Kashaiof, The Pleasure Majenta, Gertie Adelaide.

Born in Montreal, raised in Dhaka, and shaped by Toronto’s underground, Lady Tazz has lived more lives than most artists ever dare to. Her presence is deliberate, and her sets are defined by speed, sensuality, and control. She founded Mind Medizin as a platform for artists who challenge the conventions of the electronic music industry, a space for sound that is stripped-back, forceful, and unconcerned with mainstream appeal. Lady Tazz approaches music with intent, and everything she builds is made to last.

Before the hum of machines and the rush of minutes, the world moved with a quieter rhythm. Trees unmoved by passing empires whispered secrets in a language of leaves, and rivers sang songs worn smooth by centuries. A fashion story photographed by Andrea Mauro.

Raised on metal riffs and post-punk distortion, sharpened by the architecture of code, and softened by surrealist brushstrokes, Kate Miao—the Copenhagen-based DJ, label head, and creative technologist—moves through sound like static on silk: sharp, sensual, and unpredictable. Under the banners of Miao Music and Unlinked Recordings, she sculpts multidimensional spaces where techno, trance, and ambient dreamwork glitch, collide, and are reborn. Between control and collapse, between the logic of systems and the chaos of art, her sets become emotional architectures—her parties, living organisms.