Between the 4th and 6th July 2025, LOST Music Festival returned to the Labirinto della Masone, the world’s largest bamboo labyrinth, for three days of experimental electronic music, communal dreaming, and immersive rituals.

Polished, yet bearing the dust of time, it occupies space with an imposing sculptural stillness. Composed of many elements, each object carries the power to produce a sound with a soul of its own—one that cuts through everything it touches, be it walls, air, or flesh.

An environmental art festival returns in 2025, weaving sound ecology, urban landscapes, and the delicate interplay between humans and nature into a living sonic ecosystem.

Raised on metal riffs and post-punk distortion, sharpened by the architecture of code, and softened by surrealist brushstrokes, Kate Miao—the Copenhagen-based DJ, label head, and creative technologist—moves through sound like static on silk: sharp, sensual, and unpredictable. Under the banners of Miao Music and Unlinked Recordings, she sculpts multidimensional spaces where techno, trance, and ambient dreamwork glitch, collide, and are reborn. Between control and collapse, between the logic of systems and the chaos of art, her sets become emotional architectures—her parties, living organisms.