Tag Archive for: contemporary arts

Lawrence English / The language of sound
Music | Soundscapes
Lawrence English, Australian composer and curator in conversation with Maria Abramenko. Talking about art, his curatorial practice and his latest album.

Robert Longo / Art as weapon against dark times
Art&Culture | Interview
Robert Longo in conversation with Maria Abramenko about art, its creation and perception.

Oleg Dou / Pale, bone-chilling and delicate
Art&Culture | Interview
Russian artist Oleg Dou in a conversation with Maria Abramenko about his art, concept and future plans.

Jonathan Vivacqua / Distortion & Inclination
Art&Culture | Interview
Italian artist Jonathan Vivacqua in conversation with Maria Abramenko about his past and future works.

Tadao Cern / Black Balloons
Art&Culture | Interview
Black, clean and monumental: Lithuanian artist Tadao Cern in conversation with Maria Abramenko about his creative process and inspirations.

Between life and death / Nicola Samorì
Art&Culture | Interview
Deformed, defaced and destroyed, Nicola Samorì’s obscure, Baroque-inspired oil paintings are skillful reproductions of classical portraits and still lifes on canvas, wood or copper, systemically assaulted by the artist’s hand or knife in an attempt to provoke the status quo of the history of art. Interview by Angelica Moschin.

Sarah Moon / Time at work
Art&Culture | Interview
Haunting, mysterious, unknowable and blurred fairy tales by master of photography Sarah Moon and a conversation about her latest simultaneous exhibitions at the Fondazione Sozzani and at the Armani/Silos in Milan. Interview by Angelica Moschin.

Chiharu Shiota
Art&Culture | Interview
Objects are not just objects sometimes. The poetic of common challenges the audience. You can be surprised, you can get emotional, angry, astonished, just looking at a filled room, without knowing why. Often the meaning of it is a visual mystery. Interview by Sara Dal Zotto.

Anselm Kiefer / The Seven Heavenly Palaces
Art&Culture | Words
Just like the intricate labyrinth described by Borges in The Garden of Forking Paths, "in which all men would lose their way", in Kiefer's art there is always a narrative trap intentionally left, that could lead to a cul-de-sac or could open the path to all the possible meanings. Words by Larisa Oancea.

Daniel Turner / Man is a God in ruins
Art&Culture | Spotlight
The following essay is not an attempt to define my own version of the sublime, but rather apply other writers’ postulations on the subject to the artwork of Daniel Adam Turner. Man is a god in ruins, words by James Michael Schaeffer.
