Deformed, defaced and destroyed, Nicola Samorì’s obscure, Baroque-inspired oil paintings are skillful reproductions of classical portraits and still lifes on canvas, wood or copper, systemically assaulted by the artist’s hand or knife in an attempt to provoke the status quo of the history of art. Samorì scrapes, scratches and deconstructs the surface, unraveling subterranean traces of existing work, “planes of temporal accumulation”, as he puts it, where complex layers of different textures immediately pull us in and activate short circuits between past and present.
Interview by Angelica Moschin.
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