This statement fits for every artist. I make portraits. Like all the others of my order. Then you can portray an inner landscape or a political landscape. I decided to focus on the current state of our civilization, and democracy is its operative system. It is 5 years now that I run a project called: “My Heart is a Void, the Void is a Mirror”. It is the framework through which I try to give a sense to my observations. What I see after these years is the picture of a West that gave democracy for granted for too long, until it has been lost. And now it is still confused about how to get it back.
Would you consider your art politically related, if yes could you tell how and why?
Everything is politically related, even the way we put the garbage out. If we divide plastic and paper is political, since it means that we can recycle them and have a different impact on the planet. Art is one of the most powerful tools to make people think. How couldn’t it be political?
You previously spent many years in NY, how’s the artist’s life in the US differ from Italy?
It is very different. New York is an industry. Italy is a bar on the beach.
What are you working on at the moment?
A lot of my time now is spent on the projects for Quadriennale, which is the Italian national institution for research on Contemporary Art and its international promotion. I’m the artistic director and I wanted to have this role in order to make the Italian art system a little more functional for my colleagues. I consider it some sort of civil service. Yet I’m still working hard with my studio to the visionary projects that I do. The next one will be in Milan at HangarBicocca, then I will restart working on my project “My Heart is a Void, the Void is a Mirror” that will take me to Jerusalem, Paris, Turin, Berlin and maybe Warsaw.