Esoterrorist is a publication that, much like its creator Genesis P-Orridge, refuses to be confined by definition or category, inhabiting a space that is deliberately unstable. In approaching its content, we have chosen to translate it into the form of a cut up, a process of dismantling and reassembling words that finds its origins in the experiments first of Brion Gysin and then William S. Burroughs. His shadow has always lingered over P-Orridge’s work, not only as a spiritual guide but also as a linguistic and artistic presence that shaped the way life and art could be fused into a single, inseparable entity. In this sense, Esoterrorist situates itself in a lineage of radical experimentation where language is not just a tool of communication but a living material to be torn apart and reconfigured.
Ryoichi Kurokawa / Synaesthetic Artfacts
Art&Culture | Interview
Kurokawa uses computers to create installations and performances in which sound and visual elements are in close connection with each other, seeking the creation of synaesthetic experiences. Considered a pioneer in the field of art generated through the use of new technologies, Ryoichi Kurokawa began his artistic career as a musician, and has maintained over the years a strong interest in the performative act. In addition to creating multimedia installations, in recent years, his interest in natural sciences has led him to establish important collaborations with the international scientific landscape.
