The creative process always starts with the material at hand, rather than designing first and sourcing second.
That makes it challenging, especially from a technical standpoint. Every piece demands experimentation; the process is never the same.

Your work has a raw, almost industrial feel while still being highly refined. Where do you draw inspiration from—music, subcultures, art?
This will never be a linear answer. Musical subcultures have shaped me—metal, industrial, punk, electronic. Then anime like Nana, which gave me identity, inspiration, and tears. That led me into visual kei, with its taste for theatrical excess.

I’m also deeply curious about the world of BDSM, which I rework through a pop lens. All of these influences coexist and evolve constantly in my work.

The fashion industry is shifting toward digital and AI-driven design. As a brand rooted in craftsmanship, how do you see Trielina evolving in this landscape?
Honestly, I don’t feel inclined to adopt systems that distance us from the human, artistic process. AI feels like the antithesis of DIY, and I won’t change sides—even if it makes me seem outdated.

If you could collaborate with any artist, designer, or musician—dead or alive—who would it be and why?
Maybe it’s predictable, but dressing Lady Gaga would be iconic. She’s central to the stylistic revolution in pop—Alejandro is one of my favorite videos for its dark, intense aesthetic.

I’d also love to work with Rick Owens. I’ve admired him for years—his volumes, his materials. Collaborating with him using my accessories would be a dream.

Tell us a secret—something you’ve never shared publicly about yourself or your brand.
I thought a lot about this question. I tend to be an open book, but there was one existential crisis I’ve never spoken about publicly.

About three years ago, I adopted a fully sustainable lifestyle, including a plant-based diet. That made me question whether continuing Trielina—founded before this shift—was ethical, since I use leather. I seriously considered shutting the brand down. But I realized that the essence of Trielina isn’t about being strictly cruelty-free—it’s about reversing the traditional production cycle and giving waste materials a second life. Throwing away or burning leftover leather feels more irresponsible than repurposing it. Durability also matters. In a world of compulsive consumption, creating lasting pieces is a radical act. Leather endures like no synthetic I’ve touched so far. I hope to continue evolving and incorporating innovative, sustainable materials as they become available.