Your designs are very sensual and body-oriented. Has designing this brand changed your relationship with your own body?
Yes, absolutely. Designing this brand has changed how I see my body. It’s taught me how I want to be perceived. My clothing has become my outlet, my protector, my armor, my cloak, my mask, my cape—an outer shell that lets me express different parts of myself. It is playful, it is sensual, it is curious, it is passionate. At the same time, I’ve become more intentional and controlled with how I present myself online. I shape my image through posing, composition, and framing. I like to create interesting shapes with the art of posing. It’s something I have done since I was a young child in front of a mirror. I know I don’t naturally look like that in everyday life, and it’s not meant to. I’ve always struggled with body dysmorphia, but I love being on camera. In a way, I think that’s how I take my power back. Through styling, posing, and creating, I get to transform into whatever I want to be. I become the version of myself I feel most connected to. Creating for myself allows me to express things I can’t always put into words. My body becomes a canvas, a tool for storytelling. The process helps me reclaim my image on my own terms.
During your creation process, how do you balance the dark, subversive elements of your designs with the wearability aspect?
I always design with adjustability and versatility in mind. I love when a piece can be worn in multiple ways, styled differently depending on the mood or the person. It’s important to me that the wearer has options and can make it their own. Even though my designs may have darker or more subversive elements, the functionality is always there—whether it’s through ties, buckles, clasps, layering, or reversible silhouettes. I think wearability doesn’t have to mean compromise. It can mean giving people more value and freedom in how they wear something. More bang for your buck, as they say! That said, some pieces are made purely to be seen and felt, not necessarily worn out into the world. They exist to make a statement. My leather bondage dresses, for example, are intentionally restrictive—they’re not about comfort, they’re about conveying a message. Sometimes the body becomes the frame for an idea, and wearability takes a backseat to the emotion or concept I want to express.
On top of that, do you have a vision in mind about the wearer of your designs? Who do you envision when you are designing your pieces?
I envision someone who isn’t afraid to experiment with their personal style. Someone who treats getting dressed as a daily ritual, a visual language that reflects who they are.You don’t have to be the most confident person in the room, but you do need to stand behind your choices when you walk out the door. It’s not about looking perfect. It’s more about being intentional, present, and open to playing with identity in real time. I love someone who lives for drama in fantasy!