At the centre sits the two-in-one GORE-TEX jacket. The exterior windproof shell pairs with a zip-in Primaloft bomber bearing a Swoosh at the chest and Jacquemus branding across the shoulders. Wear it together in a blizzard. Unzip the bomber for dinner. Look devastating either way. For women, the woven jumpsuit is the true revelation: stretchy, water-repellent, slim-fit, and somehow managing to look like something you’d wear to an opening while performing like it was engineered for the descent. It treats female athletes like the stylish, serious people they actually are. Radical, apparently. And then there are the skis, made with French brand Lacroix, vintage-vibe, muted orange and black, custom-matched to the buyer’s measurements at $3,190. Absurd. Magnificent. Extremely Jacquemus.
The fashion industry has spent decades watching sport collaborations built on aesthetics alone collapse under their own superficiality. This collection is the antidote. It looks like it belongs on a runway but performs like it belongs in a blizzard, and that tension is exactly what makes it matter. The colour palette is disciplined. The branding is confident without being loud. The construction is honest. In a world where skiwear is either performance-bland or fashion-hollow, Nike and Jacquemus found the third option: both, uncompromised. Après ski used to mean fur-trimmed boots and mulled wine. Now it means GORE-TEX with a French conscience and a Swoosh where it counts. The mountain just got a new dress code.