accessories, but being naked — that’s my real pleasure. Too bad censorship often stops me from showing it fully. My stage image is my roleplay, my fantasies made real. A lustful blonde or wild brunette having sex with music in front of everyone and inviting others to join. “Magdalena always dreamed of being a porn star” — and that’s true. My bedroom sets are intimate conversations, invitations into my space. I let the audience into my personal zone, let them feel like we’re dancing together, sharing the bed and this moment.

What has your relationship with sex been and why have you chosen to incorporate it both sonically and performatively into your shows? What does sex represent for you, and how does it enhance your music? 

I have a lot of sexual energy — and I’m not going to hide it. I don’t just feel comfortable in my arousal — I enjoy it. Sex, raw talk, porn, flirting, masturbation — it’s all a part of me. I’m not trying to be “convenient” or “acceptable” — I am what I am: like a gigolo, just in a mini skirt. My sexuality isn’t a pose — it’s a source of power. I pour it into sound, movement, every performance. My music is seduction: it teases, touches, arouses, and leads to climax. I want those who connect to this energy to feel free, liberated, and experience a true musical orgasm. For me, music and sex are almost the same. It’s vibration, breath, rhythm, surrender. And yes — when people tell me they’ve had sex to my sets — I melt. That means I’m doing it right. Because music, like the body, is made for pleasure.

What I admire most about your work is how you’ve created a persona that both seduces and intimidates. What do you enjoy most about holding that kind of power behind the decks? 

I had to learn to accept how society reacts to me — even before the stage. I still don’t always know — when people stare at me, are they curious or about to hit me? Haha. I think people, like animals, sense something subtle, invisible. They react not to the look, but to the energy coming from within. I love this mix — “creepy and sexy.” There’s something primal about it. Beauty can be scary, fear can be arousing. Like in BDSM — fear and arousal often go hand in hand. That’s why I play with dominant images — sometimes a glamorous blonde in pink, sometimes a dark latex mistress with a whip. I don’t aim to be scary — I’m just honest. And maybe that honesty and inner freedom is what scares people the most. I’m not always satisfied with myself. I often feel like I’ve done too little. But in those moments when I’m behind the decks, when music and image merge — I feel my performance cover the room like a tsunami. And it’s better than sex. Better than any drug. It’s absolute transcendence, total release — and absolute pleasure.

Many in the techno scene tend to dismiss disco as too mainstream, or treat it as a guilty pleasure. I love how you seamlessly incorporate hits from Madonna and Donna Summer, while adding a distinctly queer subtext. As long as the sound is horny, it works, right? What do you hope to achieve through your music? 

Oh yes, the techno scene turned out to be much harsher than I expected. I naively believed that once I started DJing, I’d get more recognition — like, now I’m not just a performer, but an artist with sound. But the reality is, even here, many people have their own filters for “what’s acceptable”: what’s too pop, too physical, too raw. I often play pop and disco remixes — Madonna, Donna Summer. For me, that’s not a guilty pleasure, but cultural code. Those tracks carry so much freedom, sensuality, protest, and history. Through them, I create space where you can just be — sexy, vulnerable, loud, different. And it’s not just about queer people — it’s for everyone who’s ever felt judged, misunderstood, or discriminated. My music isn’t just about parties. It’s about how freedom feels in the body. About how, through dance, sound, and sexuality, we can liberate ourselves, remember who we are, and build a space where we all belong. So yes — if it turns you on, if it’s honest and full of energy, then it’s already working.

Congratulations on a major milestone: your debut at KitKat in Berlin last February. That venue aligns closely with your sonic and visual identity. What are your memories from that night? I know what happens there tends to stay there, but what’s the wildest thing you’ve witnessed or experienced? 

Thank you. I performed well, but it’s too early to celebrate. I still have a lot to do.