As a four-year resident at Amnesia Milano, you’ve played alongside artists like Nina Kraviz and I Hate Models. How has your residency shaped your evolution as a performer, especially in adapting to such diverse lineups?
Being a resident at Amnesia Milano, as well as at Rocket or previously at Bolgia when I was just starting out, has been a crucial part of my journey as a DJ. These experiences have taught me a lot about adapting and being versatile. I’ve learned to read the crowd better, build tension at the right moments, and experiment with sounds and styles that I wouldn’t normally consider during a “Peak-Time” slot. Last but not least, sharing the stage with legendary artists like Chris Liebing, Len Faki, and others has taught me a great deal about the energy they exude and how they transmit that energy to the dancefloor.
With Chris Liebing’s CLR podcast coming up and collaborations on the horizon, what excites you most about this phase of your career? Are there any unexpected directions you’re exploring?
This phase of my career is both exciting and full of potential, but at the same time, it’s been quite challenging. I’m fighting to find my place, and I hope to start reaping the rewards of my efforts over the past year. Having the chance to be featured on Chris Liebing’s CLR podcast is a huge milestone for me—it’s a platform I’ve always respected, and it gives me the chance to share a harder, groovier side of my sound with a global audience. What really surprised me, though, was how kind, polite, and approachable Chris Liebing is. I was genuinely impressed by his interest in my productions—it was a revelation. As for collaborations, I’m working on a few projects that will take my music in new directions, and I’m excited to see where they lead. I can’t reveal too much at the moment, but I’m confident that when they come to fruition, they’ll have a big impact on my journey.
The Milanese Techno scene has seen significant growth in the past years. What’s your perspective on the emerging talents coming out of Milan? Are there any specific trends or sounds that stand out?
The Milanese techno scene is evolving quickly, with both positive and negative aspects. There are many small events and new clubs popping up around the city, and techno is becoming more and more popular, with different formats being offered. However, my concern is whether the new generation, particularly those aged between 18 and 23, truly has an interest in techno and clubbing. Personally, I see a decline in that interest. I believe that in the coming years, we’ll see new ways of experiencing clubs, parties, and techno. That’s why I’m working on relaunching my event series under my label, Ratis, in a special format that stands out from the usual techno nights. Milan is a unique city for the underground and techno scene, and for me, this will be an important challenge to keep the focus on and maintain the presence of our culture.
Techno is often about progression, not just musically but culturally. How do you see your role in pushing boundaries, whether through your sound, your collaborations, or your label’s mission?
In a fast-paced world where everyone is busy, I believe we should focus on quality. We need to take a step back and reconnect with the essence of what we do, while still looking toward the future and adapting new ways to promote our culture, keeping authenticity intact. My mission, and that of my label, is to promote good music, share meaningful messages, and offer an escape from the ordinary. Our music was born for that, to provide a moment of freedom from the routine of everyday life.
