Do you explore other creative outlets beyond music, such as visual arts, fashion, or writing? If so, how do these forms of expression intersect with your work as a DJ and producer, or do you prefer to keep them separate?

I love art, and painting myself, visual art, sound & light events and fashion are all amazing elements of being creative. I think this is so important to do, and disconnect in order to reconnect your own creative mind. This in turn always comes through in some way to either the cover artwork to my music, small video clips, artistic direction and visuals.

With a jam-packed touring schedule that includes performances at some of the most globally recognized festivals and venues, how do you manage to keep your sets fresh and reflective of your artistic evolution? Could you discuss the interplay between your studio work and live performances, and how you adapt your music to different settings, from intimate clubs to massive festival stages like Tomorrowland and Time Warp?

I have a new set every time I play, and build a new folder of music according to what I think and feel that individual crowd would like. Depending which country I am in, I might incorporate a track or two that has their local language in it or play something specific for that place. I never plan a set from start to finish, and often find it’s when I arrive in the city I am playing in, I get the full energy and vibe of what to include. My sets are performed mostly from feeling and reading the crowd, and you will know this after the first few tracks what they want.

What has been the highlight of your year so far? Could you share why this particular moment or experience stands out for you?

It would have to be back in February when I supported Carl Cox on his New Zealand tour with five shows in five consecutive days. Wow what an experience that was and a way to start the year! Since then I also played with him on his stage at Ultra Australia and in NYC at Brooklyn Mirage. Not to mention playing so many incredible festivals this year, there have already been so many extra highlights and this is what really builds you up, it’s an amazing feeling.

Are there any upcoming plans, projects, or collaborations that you’re especially excited about? What can we expect from you in the near future?

I’m really excited to be launching a new project in Australia (where I am originally from) in December, which I will bring to Europe for 2025. I  have a collab track with another female artist that’s being released late November. I also recently just signed a multi deal with Armada which is a huge achievement for me! ‘What Would Gerry Do’, being the first track of the releases, so listen out for the rest to come.

What track have you been obsessed with lately? And on a lighter note, can you share any party tricks or tips with our audience?

One track I found recently, and really love is called ‘Roleplay’ by Blame The Mono & Azan Caro (the label is Selected (Berlin). It’s got this live band feel, rolling techno drive and a beautiful male vocal in it – check it out!  Love that! Okay so my party trick is I can touch my nose with my tongue, and I would love to do handstands wherever. Maybe I should them both at the same time next party.

Can you share with us an insight into the photoshoot showcased in this feature alongside this interview? How did it come about and how does it reflect your artistic vision or current state of mind?

This shoot was done in Berlin with an amazing photographer friend of mine, Sherif Tarhini. I came with the outfits, and he came with the creative direction and together we made some really cool art. My heart will always be in Berlin, it was the city I moved to 8 years ago to really find myself, my sound, and delve into my love for techno music. So this is a reflection of this, and a mix of who I am now, more confident and found.