For us the point isn’t to resolve these forces but to make them wearable and believable in everyday life. Two signatures sit at the center of our current language: mesh splicing and deconstructed construction and a high-flash custom-developed fabric created specifically for the brand. Mesh for us is never simply sheer. It’s a way to reveal and restrain at the same time to create breath precision and controlled placement against the body. Through splicing and deconstruction a garment becomes a map: lines interrupt seams shift and support appears where you least expect it. Mesh is also our clearest expression of night-time inspiration how the body feels after dark: softened sharpened and slightly untouchable.
The high-flash fabric works in another register almost electric yet controlled. It isn’t sparkle as decoration it’s light as sensation. We developed it to catch movement rather than attention letting the body flicker in and out of focus like emotion does. That contained intensity shine held by clean structure feels unmistakably NATTAUP.
From a technical point of view I’m focused on construction that behaves like an interface: modular elements detachable parts adjustable points and careful mapping of pressure and release. Culturally the work is anchored in an ongoing observation of human nature: complexity contradiction desire and restraint. The everyday becomes compelling when these states coexist quietly and precisely close to the skin.

Tell us about your rituals what anchors your process when everything else feels unstable?

What anchors the work are NATTAUP’s three constants: the night subverting the everyday through essentials and sustainability. Night gives me sensitivity an atmosphere closer to the body restrained yet sharp. Subverting the ordinary through daily pieces keeps me focused on what people actually wear and return to. Sustainability isn’t a slogan it’s a method: designing less and designing with precision so each piece can remain meaningful over time. When everything feels unstable I return to these three because they tell me what to edit what to protect and why the work must continue.

If a favorite garment of yours were a film a scent or a piece of music what would it be and why?

I find it hard to choose a single favorite garment because reducing it to one reference feels like the wrong kind of judgement. NATTAUP is built on complexity and opposition and I don’t think one piece can or should translate into a single symbol.
That’s why when we created fragrance we didn’t treat it as one signature. We released three perfumes using a dual-track approach two lines running in parallel to reflect the brand’s multiplicity: conflict and calm control and softness clarity and distortion. It’s less about defining identity and more about allowing opposing states to exist together.
If there’s one sense I can answer without hesitation it’s music. I genuinely love Massive Attack. Their sound feels slow shadowed and emotionally exact charged but never loud and it’s an atmosphere I return to again and again.