The stark thematic contrast between their works takes on a harmonious dimension in this project, which originated from a journey the two artists undertook to the Vatican, accompanied by 200 other professionals from the field.
Andres Serrano, known for his highly provocative works on religion, has long been the subject of controversy and criticism. However, during this visit, his encounter with Pope Francis had an entirely unexpected outcome: the Pontiff embraced and endorsed the idea that every artist has the duty to seek harmony and beauty, even when this entails confronting complex themes and controversial perspectives, ultimately, a journey that, in its own way, may lead closer to God.
Serrano employs a unique approach to representing beauty, crafting a visual and conceptual aesthetic that draws from the sublime, using unconventional materials and techniques—including bodily fluids. This radical artistic approach has defined his career, with one of his most iconic works, ‘Semen and Blood’, created using seminal fluid and bovine blood, becoming the cover of Metallica’s 1997 album.
For the first time, the gallery presents an exclusive collaboration with Serrano, showcasing pieces specifically created and signed for this occasion as ‘Semen and Blood III’.
His method involves extracting elements of ugliness, disturbance, and shock and reinterpreting them into an aesthetic that, in the end, proves captivating. Drawing inspiration from grand and iconic religious imagery, he focuses on striking details, highlighting and emphasising them through a precise modulation of colours and shades. This process generates a particular fascination for these unsettling elements, which, despite their disturbing nature, reveal an intensity and rawness deeply intertwined with religious sentiment.