A vast world constructed within one song. This was an art they really perfected during the Mellon Collie era. It begins delicately before a squall of guitars send it over the water and through the night sky:“The night has come, to hold us young”. Billy screams over the coda.“Tonight, Tonight” augments the nocturnal beauty of that album further. With its initial string sequence and drumbeat capable inducing tears of joy.
It doesn’t really let up, they bludgeon you with hits and pay respect to some of the aforementioned deeper cuts. “Ava Adore is mesmerising, with Billy channelling his Nosferatu moves from its striking music video – one of the few songs when he’s not on guitar. There is a freshness too. Siamese Dream hasn’t really aged such is its brilliance. “Disarm” then “Mayonaise”, track described by Pumpkins superfan Jacob Givens as a heavy song you could slowdance to.
The snarl of “Bullet with Butterfly Wings” that follows is potent and one of the most relevant:
“Despite all my rage I’m still just a rat in a cage”. The newer songs fit well too and there is a beautiful undulation to it all. “Rhinocerous” slows it down and hypnotises the audience with its repeated refrain of “She Knows” after having whipped them up.
“Cherub Rock” which follows is arguably the highlight of the night. Bolstered by the fact that they now have 4 guitarists on stage, it sounds truly mesmeric, heavy and transcendent. The solo going higher than you thought capable. “Zero” then closes with its beautiful nihilism: “God is empty, just like me.”
The Pumpkins show tonight that they are still needed. No one has ever come close to what they do, in the way that they do it.