As the doors open at 8:30 PM, sound becomes terrain. Arc’hive, a sound installation by Edo Rossano, expands through the concrete space like an invisible weather system. Built from field recordings, low frequency resonance, and sculpted echo, it dissolves the boundary between nature and architecture. Immersive and meditative, it draws you into the rhythm of the mountain itself.

From there, the night unfolds through two multimedia exhibitions, Elsewhere and Résonance, each refracting the same language of motion through a different lens.

Elsewhere reimagines the backcountry not as a site of performance, but as a psychological frontier. Created with freeriders Loïc Isliker, Max Kroneck, Noémie Equy, and Edgar Cheylus, it explores the quiet intervals between action, the moments of suspension, breath, and uncertainty before descent. Through film fragments, photography, and environmental sound, Elsewhere portrays the mountain as a sentient body: unpredictable, contemplative, alive.

Résonance, curated by photographers Perly and Matteo, extends this dialogue between motion and memory. It stages a visual conversation between generations of riders and image makers, where adrenaline meets introspection. Harsh, kinetic frames collapse into meditative compositions: snow dissolving into abstraction, ridgelines bending into pure geometry. The exhibition becomes an echo chamber of winter, every image vibrating with distance, gravity, and time.