The natural ecosystem is a flawless balance of pulses, vibrations, and forms—a chain of micro-processes and organisms, each with seemingly distinct origins, yet capable of aligning within a single, cohesive universe. From this structure emerges Terraforma EXO: an initiative by Threeds that prompts critical reflection on a pressing yet often overlooked issue, the preservation of ecosystems and the profound impact of the interrelationship between humans and their environment.Far from being a conventional cultural event, Terraforma EXO stands as a magnetic and generative force. It brings together a collective of individuals and artists within a shared living space, fostering moments of deep sensory and meditative connection.

Now returning for its second edition, EXO reaffirms its ambition to harness art and performance as active instruments of fertile, transformative change. In partnership with Atlas of Change, the 2025 edition launches a wide-reaching awareness campaign focused on environmental protection, exploring the intersections of sound ecology, urban infrastructure, and social dynamics. This year, the initiative expands not only in conceptual, performative, and meditative scope but also geographically. New cities and venues have been added, broadening its reach and allowing its message to ripple outward—like a sound wave—across an even wider audience.At the heart of the project is Milan, the launch site and symbolic point of departure (28–29 June). The programme then travels to Rome (27 September), concluding in Palermo (25 October).

In each city, specific spaces have been carefully chosen—sites capable of embodying the green soul of the project and expressing the connection between the natural environment, human presence, and ecological sound. In harmony with the organic flow typical of living systems, the initiative began in Parco Sempione and branched out across various city locations: Torre Branca, Palazzina Appiani, Giardini della Triennale (including the new Voce space), Castello Sforzesco, Teatro Continuo by Alberto Burri, and finally Teatro Principe, where Gatto Verde took place—a nocturnal event epitomising the union of sound and sensory experience. The Milanese programme featured a diverse lineup of Italian and international artists offering site-specific contributions. Among them was Lorenzo Senni, with Eureka!—a curated selection of moments from his mixes, drawing on fifteen years of research into the interplay between structural mechanics and the emotional dimensions of electronic music.