Trough this interview we explore the deeper facets of the project that culminated in the formation of the Italian Pavilion at the 2024 Biennale. Luca Cerizza elucidates his personal vision and the realisation of curatorial practice, characterised by multiple encounters and a direct engagement with the sensory realm. As he himself notes, ‘It was probably music that led me to more avant-garde forms of contemporary art.’ Music, sound, and auditory perception, which are prominently featured in this project, have consistently been fundamental components of his work and an expression of a distinct curatorial identity.