XXX / Nitro Snowboard

Celebrating 30 years of History.

Nitro was born from the simple urge of two riders, Thomas “Tommy” Delago and Sepp Ardelt, to make boards they could not find anywhere else. From the start, it has moved like flowing snow—rider owned, rider operated—shaped by films, community, and the people who live it. Boards are tools, not possessions, carrying riders across mountains, cabins, road trips, and friendships. Nitro is less a brand and more a way of moving through the world: a ride carried by something deeper, an intensity of presence, a living expression of snowboarding as culture you feel with every turn. To mark their 30-year anniversary we explore that living history, a portrait with unseen archive images of a brand that changed with time without ever losing the raw and authentic feeling that sparked its creation.

Origins: Born From the Ride

Nitro takes shape in Seattle in 1990, born from a simple frustration and a clear vision. Two snowboarders, Thomas “Tommy” Delago and Sepp Ardelt, wanted boards they couldn’t find anywhere else, so they built them. Delago arrived with the sensibility of a European rider who had lived every corner of the culture from testing prototypes on wild terrain, running camps, contributing to snowboard magazines, shaping the conversation as much as the sport itself. Nitro grows from this lived, rider-driven reality rather than from a business plan.

The debut production line launches for winter 1990 and already carries a different energy. It includes the Retro, a swallowtail powder board that cuts sharply against the race-oriented shapes dominating that era. Even the early Nitro manuals read less like catalogues and more like manifestos: raw, urgent documents that speak of riding as a necessity, mountains as a calling, movement as truth. Nitro steps into snowboarding by giving language to what riders were already living.

From the beginning Nitro is rider owned and rider operated, a structure that remains intact today. What starts as a Seattle-born collective eventually relocates its corporate home to Switzerland, yet the heartbeat of creation remains in the European mountains that shaped Delago’s vision.

The early manuals read like a rider speaking to another rider, not a company speaking to a consumer.

Finding a Language: Design, Art and Performance

As Nitro evolves, it begins to construct a distinct visual language. Graphics move from simple outlines into an expressive mixture of illustration, collage, photography and handwritten elements. Boards become extension points for artistic experimentation. Manuals from the nineties show a blend of factory atmosphere, process shots, rider notes and on the road imagery.

This era defines a core principle for Nitro: engineering and creativity are inseparable. Care in design is matched by curiosity in materials and shapes. The brand grows through instinct and daily riding rather than through marketing departments. Every board reflects an evolving conversation between riders, designers and the culture around them. Innovation appears not as a slogan but as a byproduct of people trying to build better tools for their own riding.

The Rider and Creative Era: Urban Influence and Subculture Energy

By the late nineties and early two thousands Nitro becomes deeply connected to snowboard media culture. The brand’s visual output is shaped by the energy of punk, skate and DIY print aesthetics. Grainy film stills, photocopied textures, scrawled typography and street influenced photography define the catalogues of this era.

The team becomes the core of Nitro’s identity. Riders are not just faces in ads but presences across films, editorials, shop culture and collaborative projects. Influential figures such as Marcus Kleveland, Eero Ettala, Elias Elhardt, Austin Smith, Bryan Fox, Sam Taxwood, Jeremy Jones and Sven Thorgren shape the brand from within. They influence the imagery and direction, not as spokespeople, but as contributors to a shared language.

This period culminates in the long form documentary 28 Winters, which traces Nitro’s heritage and present through the voices of its riders. It frames Nitro as a family documenting itself, reinforcing the sense that the brand lives inside snowboarding rather than beside it.

Reflection and Storytelling: From Objects to the Life around them

As the culture matures, Nitro’s lens widens. The spotlight shifts from tricks to the life surrounding them. Boards remain essential, yet the narrative expands to the landscapes and relationships that give riding its soul. Snowboarding becomes a world built on road trips, cabins, mountain lines, friendships and the creative spaces that exist in-between.

Projects like The Quiver and Layers embody this evolution. The Quiver frames boards as companions carried through different chapters of a rider’s life, while Layers maps snowboarding as a constellation of people, communities and stories scattered across the globe. Cake adds to this with a celebration of pure fun and progression, capturing how riders move when they’re simply enjoying the mountain.

This approach places experience above spectacle. It makes clear that Nitro’s products are never just objects; they come alive through the hands, journeys and stories of the people who ride them.

XXX / Nitro Snowboard

Credits:

Brand: Nitro / @nitro_snowboards
Website: www.nitrosnowboards.com
Editor: Marco Giuliano / @marcogiulianoph

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