Domenico Romeo / Drama of the Indefinite

Artist and designer Domenico Romeo in conversation with Maria Abramenko

A  conversation with the artist and designer who creates an infinite universe of signs, symbols and matter through his works; the components of his art function exactly like the letters of an alphabet: perceived as a whole, constitute a language in it’s own right. Domenico Romeo talks about his art in a conversation with Maria Abramenko

How did you start making art?

I’ve always needed to do. I have always drawn and somehow built. But especially, I did it following an ideal coherence. I’m obsessed with finite systems like alphabets that are capable of generating infinite drifts through the unpredictable combinations of their elements. I still don’t know how to define what is art and what is not. I keep doing.

Every time I see your works (especially recent series) I think NIN. Where does this industrial darkness come from?

You are right to think NIN. Although it is not my direct reference, industrial music in general is part of my DNA and therefore it shines through in my works. I want to tell the drama of the indefinite, the never accomplished, the unrealized, all possible but unexpressed. All that is life, an eternal potential phase in which one strives towards something, but then death comes.

Tell us about your recent collab with KUBORAUM?

KUBORAUM is family for me. The collaboration is therefore constant and does not end with a single event. We are very close friends with the guys from the brand and we share various passions such as certain music and clubbing. I was honored to take part in the celebration event for their 10 years in business. I built a 2.5 meters high iron and fabric totem inside the Tresor in Berlin which for us (techno addicted) is Mecca.

Now the sculpture is installed in their headquarters in Köpenicker Str. 96 in Berlin. It is an anthropomorphic structure where the iron frame resembles a spine and the tattered fabric, its skin, partially covers it. It is a sculpture that places the viewer in front of the continuous question of whether it is a body in the process of being formed or in the process of decomposition.

Please name some artists, actors, writers you are inspired by and tell us why?

The one and only who has ever truly inspired me is Heraclitus the Obscure. His philosophy is cryptic and ambiguous. It raises many questions. All that I try to replicate in my works.

What are you working on at the moment?

I am still developing my system in iron and technical fabric that appeared in my recent exhibitions with which I build my sculptures. I have a couple of events in the next six months, one of which involves the interaction of matter with electronic music. I also announce a massive return to painting.

Domenico Romeo / Drama of the indefinite

Credits:

Artist: Domenico Romeo / @domenico__romeo
Editor: Maria Abramenko / @mariabramenko
Assistant: Alisia Marcacci / @miabrowe

You may also like

Art Fairs, Bombs and the Environmental Crisis

Art&Culture | Spotlight
Organised as part of ART CITY Bologna 2024 on the occasion of the jubilee 50th edition of ARTEFIERA, one of the leading and oldest art fairs, Deserted Island (on dropping bomb*shells) is showcasing a selection of time-based media works by seven international artists and art collectives, drawing its base between environment, war, censorship and mass-media and revisiting certain historical and future events.

The Church Of Our Becoming / Yulia Mahr

Art&Culture | Spotlight
From 24 July to 24 August, Dover Street Market Paris becomes the site of an invisible anatomy, a place where bodies are not seen, but sensed. In 'The Church of Our Becoming' , Yulia Mahr employs thermographic photography to strip away the visual noise of surface and gender, exposing a shared emotional core.

Beyond Art Alone / Thomas Hirschhorn

Art&Culture | Interview
This interview delves into the more complex aspects of human relationships and their interaction with being and the surrounding environment. The artist expresses his preference for art that avoids ostentation and luxury, instead favouring universal materials and words—tools that are often underestimated. In this dialogue, we explore art as both a social study and an experience designed to leave a lasting impression on the observer and their way of thinking.