Self-expression composes the solid basis for the construction of a personality. Rebeca Horn found her alternatives and exceptional communicative forms to share her sensations with the world and added a unique language to the dictionary of art. Her mystical side looks back to alchemical explorations with various wearable sculptures are appeared like torture mechanisms and represent her complex emotional states. Horn’s work stands brave and touching at the same time. She is a female satyr that cuts to the bone the rotten pillars of the Bourgeoisie. Since the early 1970s, German visual artist Rebecca Horn has developed an autonomous position beyond all abstract and minimalist movements. Inspired by Frida Kahlo’s paintings, Franz Kafka’s bohemian novels, the chaotic aftermath of post-war Germany, personal traumas, and her father’s highly eccentric taste and frightening stories, her creations always balance tenderness and pain. She is best known for her installation art, film directing, spatial installations and body modifications such as Einhorn (Unicorn), a body suit with a very large horn projecting vertically from the headpiece. Through her work, she turned everyday objects into symbolic references to expose the societal exploits of the female body-nature. Horn’s obsessions over balance and symmetry depict her perception of reality, where “dark moods” are counterbalanced by their opposing mental states.