The concept behind this collection was centred around the process of training and of commitment that an artistic activity like ballet requires, and that is very much similar to those very few minutes of seasonal glory of a fashion designer when showing each collection, the ultimate work for which all other work is but preparation, the greatness that while unfolding has already been forgotten. Draping, pleating, light flowing silhouettes and uncovered skin, a strong statement to come against her previous collections that used to predominantly hide the body, a proof that she is not a follower of strange believes or religion as some might have thought and that instead she knows perfectly how to contrast and master the the silent and vulnerable space between the clothes and the body.

Each single element came to smoothen and complement another and form a complete picture that reinforced a different idea of femininity while opening a whole new range of emotions and faith in promises yet to be fulfilled in austere times like these that we are living.