How did you start making art?

I’ve always needed to do. I have always drawn and somehow built. But especially, I did it following an ideal coherence. I’m obsessed with finite systems like alphabets that are capable of generating infinite drifts through the unpredictable combinations of their elements. I still don’t know how to define what is art and what is not. I keep doing.

Every time I see your works (especially recent series) I think NIN. Where does this industrial darkness come from?

You are right to think NIN. Although it is not my direct reference, industrial music in general is part of my DNA and therefore it shines through in my works. I want to tell the drama of the indefinite, the never accomplished, the unrealized, all possible but unexpressed. All that is life, an eternal potential phase in which one strives towards something, but then death comes.

Tell us about your recent collab with KUBORAUM?

KUBORAUM is family for me. The collaboration is therefore constant and does not end with a single event. We are very close friends with the guys from the brand and we share various passions such as certain music and clubbing. I was honored to take part in the celebration event for their 10 years in business. I built a 2.5 meters high iron and fabric totem inside the Tresor in Berlin which for us (techno addicted) is Mecca.