IAC Site is on a mission to redefine fashion through fluid and dystopian concepts, fostering a community unafraid to challenge traditional norms. Join us as we explore the brand’s vision with its founder, Miriam Iacopino.
What inspired you to create a fashion brand centred around apocalyptic themes?
The creation of Iacsite stems from the need to externalise everything I have inside. My emotions, my artistic vision, draw inspiration from a despotic and confused perspective, as if holograms in my brain, alternating, give life to new shapes and colors. The artistic exploration conducted before the release of the two collections was mainly focused on the investigation of photographers like Sophia Roberts, Wooi Yang, Svitlo; they all share a gender dystopia, not only in colors but also, and above all, in shapes. My affiliation with the apocalyptic style dates back to my birth, as I spent my childhood in my grandparents’ countryside, where every corner of that place had a decadent and primordial style.
Can you explain the meaning behind the name “IACSITE”?
Iacsite is nothing more than the combination of the acronym of Iacopino, my surname, and the word “site” in English. When I attempted to merge the letters, I realised that their union almost formed a slang, and from there, I understood that if it could remain easily impressed in my mind, it could do the same with others.
How do you translate conceptual themes like dystopia into your garments, could you guide us through your creative process?
In both collections, there will be a clear depiction of the process of decay and primitive metamorphosis, giving the product a subtle primordial and ancestral hint of human and animal life. One of the micro-themes that has inspired me so far for the collections is dystopia, encapsulating what is in an abnormal position compared to its normal place. It is a description or representation of an imaginary future reality, but predictably based on present trends perceived as highly negative, foreseeing an undesirable or frightening life experience. With this theme, I aim to communicate the strong connection within the artistic core of Iacsite, reflecting the entire Milanese scene that provided me with the right skills to believe in my project, and also my affiliation with my past self. If it had remained confined to the social immobility of the south, it would have taken an undesirable path.
Your first collection is named ‘Epidermide,’ which refers to the outer layer of the skin. Can you explain why you chose this concept and how is it reflected in your designs?
“Epidermide” is a collection that manifests how physical change is at the ancestral foundation of human evolution. This collection unfolds with clear and precise themes, revolving around the concept of primordial and primitive elements with animalistic and wild traits transformed in a dark and dystopian manner. Despite this, through the metamorphic process, they constantly change their form, giving life to new prototypes of the genre. The garments will have an animalistic background, evoking the world of beasts through the careful choice of fabrics and their processing, transitioning from a smoother, darker canvas to a more crisp and vibrant one. Fur will be the protagonist of the collection, the perfect “ancestral epidermis” providing a touch of original and primordial essence, encapsulating the devolutionary concept of species.
In your description of Apocalypse Core as a trend, you outlined four distinct micro themes: Decadence, Metamorphosis, Dystopia, and Animalism. Could you break down these themes and their respective representations within your brand’s aesthetic?
Each of them encapsulates a precise meaning explaining the development of the collection through specific paradigms and signals. The term “Animalesco” encompasses everything belonging to the animal sphere, capable of moving and behaving just like a beast.
“Metamorfosi,” on the other hand, signifies something more visceral and complex; it is a process in which change is fundamental. The theme of “distopia” holds the meaning of being in an anomalous position compared to its normal place. The last theme is the sphere of “primordiality,” referring to everything related to an initial or origin period. The garments will have an animalistic background, evoking the world of beasts through careful fabric selection and processing. There will be a transition from a smoother, darker canvas to a more crisp and vibrant one. Fur will take center stage as the perfect “animalistic epidermis,” providing a touch of original and primordial essence, encapsulating the devolutionary concept of species. Latex will impart a wild, dominant, and decadent touch to the looks. The so-called evolution or metamorphosis will be achieved through denim processing using Upcycling, a method that breathes new life into an existing product by deconstructing it and returning the garment to its skeletal structure.
How do you balance functionality and style in your designs?
In conceptualising the collections, I prefer to prioritise creation over functionality. I believe that garments are not only products but foremost works of art, and not everyone can afford to wear them. Therefore, functionality is negligible when the purpose is equally significant.
In what ways do you think dystopian fashion reflects or comments on contemporary societal issues?
“Dystopia,” also known as anti-utopia, counter-utopia, negative utopia, or cacotopia, is a description or representation of an imaginary future reality. It is foreseeable based on present trends perceived as highly negative, predicting an undesirable or frightening life experience. In contrast to utopia, dystopia typically envisions belonging to a hypothetical society or world characterised by oppressive social or political expressions. These conditions often arise in response to extreme environmental or technological situations pushed to their limits.
Who do you picture as the primary audience for your brand, is there anyone in particular you would like to see wearing your designs?
The icons I would like to see wearing my garments are primarily six: Sita Bellan, Coi Leray, Sick Brain, Princess, Maggie Lindemann, and Alexa Demie.
What specific message or emotion do you aim to transmit to individuals wearing your clothing?
The purpose of the product is not merely for sale, as art transcends commerce. Its true and noble aim lies in being an end in itself. Regardless of buying and selling, art should delight the audience and impart a moral dimension to civilisation. The crucial aspect is to disseminate one’s beliefs and creative vision, revealing our true essence. Exposing one’s soul raw is an artistry that few master. The goal of my product is clear – the looks must convey confidence and a sense of display for those who wear them. The garment, beyond being a product, should embody a lifestyle.
How do you see your brand evolving in the future while staying true to its original inspiration?
As mentioned before, the brand draws inspiration from four themes, including metamorphosis and evolution. The growth and development of the brand will always be rooted in the initial themes but will evolve into new genre forms based on the social and cultural needs of the time.
Claws out
Credits:
Photography: Marco Giuliano / @marcogiulianoph
Styling: Anca Macavei / @ancamacavei
Fashion: Iacsite / @iac_site @miriamiacopink_
Styling assistant: Basak Saigyn / @thewdsy
Interview: Camila Correa / @cami.correahg
Model: Ka Min at Pwr Models / @kmonlyone @pwrmodels